The works presented in the Via Ventura space are unpublished small-format canvases and papers. They are produced as a continuous dialogue, like a necessary passage from one note to another, which the artist skilfully transfers as if constructing a narrative made up of sequence shots in which various stories confront and intertwine with each other.
Flat colour and extreme framing give rise to potential stories, forcing the curious eye of the observer to see beyond the space of the painting, so as to become lost in unlikely adventures of which we already seem to know the ending.

Untitled (Ford), 2021, oil on canvas, 24 x 30 cm
Untitled (leg), 2021, oil on canvas, 25 x 30 cm
Untitled (Game), 2021, oil on canvas, 20 x 30 cm
Confinement II, 2021, oil on canvas, 18 x 24 cm
Fame di vento, 2021, oil on paper (400g), 74,5 x 55 cm
Confinement 2021 III, 2021, oil on paper (300g), 27,5 x 20,5 cm
They are playing my favourite song I, 2020, oil on paper, 38 x 56,5 cm
Nata libera, 2020, oil on paper, 25,5 x 35,5 cm
Nate libere, 2020, oil on paper, 25,5 x 35,5 cm
A passeggio, 2019, oil on paper, 35,5 x 25 cm

Andrea Fontanari was born in Trento (IT) in 1996. He lives and works between Trento and Venice. Andrea Fontanari paints moments that focus on a new vision of the ordinary. Andrea Fontanari has lived in those rooms, slept in that bed, observed those stairs, left those places, painted them in his studio and gives back extraordinarily paintings that start from a hyper-realistic intent and – working by subtraction – leave us to the nature of light and colour. In 2017 he was selected among the five Italian artists under 35 to participate in the itinerant European Contemporary Art Biennale JCE – Jeune Création Européenne (2017-2019). He was recently selected for the Artistic Prize Fondazione VAF 2019. In November 2020 he presented his first solo show at Boccanera Gallery.

The representations emerge like fragments of memories: village scenes, travel recollections, but also objects, perhaps rediscovered, of which the artist goes on to examine a detail – be it a secondary feature or even an angle of the lighting – which might otherwise be considered insignificant.